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Photo Sequencing with Clay Mills

from $65.00

WHEN: Wednesday, January 21st 2026 from 5:00pm-8:30pm

WHERE: LATITUDE, 2003 W Fulton St. Suite 211

COST: $80 General Admission, $65 for students

INSTRUCTOR: Clay Mills

Each student must bring 10-20 of their images in postcard-size to sequence in the workshop.

Have a body of work, but now need to put it together into a sequence? Join Clay Mills’s sequencing workshop, where each student will lay out their work and sequence it together with other participants. This workshop will focus on intuition and association to build out each participant’s sequence, finding the inner-logic within each image and developing this logic picture to picture. Participants will learn about sequencing not just through their own work, but from helping other participants as well.

Whether for a book, a zine, a portfolio, or an exhibition — this workshop is perfect for anyone with a body of work that they’re looking for new ways to show!

This workshop will focus on the relation between images in proximity and will encourage participants to practice associative thinking to link photos in succession. If you need help figuring out how all of your work fits together, this session will give you hands-on experience to help you.

Select Admission Type:

WHEN: Wednesday, January 21st 2026 from 5:00pm-8:30pm

WHERE: LATITUDE, 2003 W Fulton St. Suite 211

COST: $80 General Admission, $65 for students

INSTRUCTOR: Clay Mills

Each student must bring 10-20 of their images in postcard-size to sequence in the workshop.

Have a body of work, but now need to put it together into a sequence? Join Clay Mills’s sequencing workshop, where each student will lay out their work and sequence it together with other participants. This workshop will focus on intuition and association to build out each participant’s sequence, finding the inner-logic within each image and developing this logic picture to picture. Participants will learn about sequencing not just through their own work, but from helping other participants as well.

Whether for a book, a zine, a portfolio, or an exhibition — this workshop is perfect for anyone with a body of work that they’re looking for new ways to show!

This workshop will focus on the relation between images in proximity and will encourage participants to practice associative thinking to link photos in succession. If you need help figuring out how all of your work fits together, this session will give you hands-on experience to help you.

Clay Mills is a filmmaker, photographer and writer originally from Texas, now based in Chicago.
  
To Clay, film lends itself to move like dreams and memory impressions without the need to resort to the cheap tricks of the dream-like, dream and flashback sequences, and the trippy. He believes film is a form that can intuitively make sense while watching it, while — like a dream — loses its sensibility in the act of explanation. This is where “movie magic” lives. 

Clay photographs modernity, taking pictures of the “ugly” as if it was “beautiful.” His photos have been derided by the Ogden Museum of Southern Art’s Curator of Photography as “like Cartier-Bresson taking the decisive moment, but [instead] taking the indecisive moment.”

 

Accessibility Notes:  More on building accessibility can be found here and in the video tour of the lab on Vimeo. If your accessibility concerns have not been addressed in this note or on the accessibility page on our website, please make use of the accessibility accommodation in our signup form or reach out directly to education@latitudechicago.org for more information.

Spaces are limited – Don’t miss out! Secure your spot today!

Questions? Contact us at education@latitudechicago.org.

Please Note: LATITUDE never wants finances to stand in the way of participation in our programs. Please reach out to us to discuss financial assistance!

Refund Policy: For all LATITUDE courses, full payment is required to reserve your spot in the class. If you need to cancel your reservation for any reason, LATITUDE can provide a 100% refund for cancellations made 10 days prior to the start date of the course. Cancellations made with less than the 7 day notice will be given a 100% lab credit. Cancellations made within 72 hours of class run will be given a credit for 50% of the purchase price which can be used for any lab purchases, including re-enrollment, in the future. No refund for cancellations made on the start day of the course and will be considered a donation to the space.