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B. Ingrid Olson - Note for Reservoir (Reverse Round Room, Figure, Floor, Figures' Forms)

$100.00

Note for Reservoir (Reverse Round Room, Figure, Floor, Figures' Forms), 2025

Inkjet print on paper
10.25 x 7.25 in

Engaging the reciprocities between photography, sculpture and architecture, B. Ingrid Olson stages a manifold approach to plurality, gender, and power. Her artworks and installations poetically test the capacities of the artist's body, viewers' bodies as well as the architectural conditions of exhibition sites in order to call attention to both the psychological and physical structuring of the spaces around us.

The prints are editioned by limited time, available only from October 15 - December 15, 2025. After this date, this image will not be made available in this format again.

Note for Reservoir (Reverse Round Room, Figure, Floor, Figures' Forms), 2025

Inkjet print on paper
10.25 x 7.25 in

Engaging the reciprocities between photography, sculpture and architecture, B. Ingrid Olson stages a manifold approach to plurality, gender, and power. Her artworks and installations poetically test the capacities of the artist's body, viewers' bodies as well as the architectural conditions of exhibition sites in order to call attention to both the psychological and physical structuring of the spaces around us.

The prints are editioned by limited time, available only from October 15 - December 15, 2025. After this date, this image will not be made available in this format again.

B. Ingrid Olson

B. Ingrid Olson (b. 1987, Denver, CO) has had solo exhibitions at institutions and venues including Midway Contemporary Art, Minneapolis; Kunstverein Braunschweig, Germany; Keijiban, Kanazawa; fluent, Santander; i8 Grandi, Reykjavik; The Carpenter Center for the Visual Arts at Harvard University; Secession, Vienna; Buffalo AKG Art Museum; and a two-person exhibition at The Renaissance Society at the University of Chicago. Olson’s work was recently included in the 2024 Whitney Biennial. Olson’s work is held in a number of public collections including the Albright-Knox Art Gallery, Buffalo; Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; The Museum of Contemporary Art, Chicago; The Museum of Modern Art, New York and The Whitney Museum of American Art, New York. She serves on the board of The Renaissance Society of Chicago and is the Board President of Latitude Chicago.