Kean O'Brien - Get Well Soon

$100.00

Get Well Soon, 2016

AIR 2024

Inkjet print on paper
8 × 10 Inches

Get Well Soon was made in 2016 as I left Chicago for Los Angeles after three months in the hospital from complications of chronic, life-threatening autoimmune illness. In the image, a cheerful “get well” balloon is tethered to a brick at the edge of frozen water. Its promise of recovery is held down by cold stillness. As a queer, trans artist, organizer, and writer living with chronic illness, I consider how capitalism measures bodily worth through productivity and renders sick bodies disposable. The work resists recovery as demand, asking what forms of endurance emerge when cure is not guaranteed.

This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.

Get Well Soon, 2016

AIR 2024

Inkjet print on paper
8 × 10 Inches

Get Well Soon was made in 2016 as I left Chicago for Los Angeles after three months in the hospital from complications of chronic, life-threatening autoimmune illness. In the image, a cheerful “get well” balloon is tethered to a brick at the edge of frozen water. Its promise of recovery is held down by cold stillness. As a queer, trans artist, organizer, and writer living with chronic illness, I consider how capitalism measures bodily worth through productivity and renders sick bodies disposable. The work resists recovery as demand, asking what forms of endurance emerge when cure is not guaranteed.

This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.


words from Priya Suresh Kambli

Spanning two decades, “Archive as a faithful Companion”, is a personal photographic project, grounded in the interventions with my family photographs. These photographs brought with me from India to the United States when I was 18 years old, include family photographs taken by my father, taken in Indian portrait studios, and my parents’ wedding albums. My move, triggered by the death of both parents, marked my permanent separation from my sister; I came to the United States alone carrying my inheritance packed in a suitcase that weighed 45 kilograms. In this work, I have revisited, rephotographed, recontextualized and re-gendering my archive (every photograph in my archive was made by a man) to create work in the context of migrant narratives and feminist practice.


Thoughts on the lab

I loved every minute of it and it helped me understand how I could accomplish artistic goals via residency programs.