pinhole: AIR X 100
pinhole: AIR X 100
Thursday, September 17th
exhibition opening
all prints sold to benefit
artists
residents from our AIR program
Latitude strives to support artists: all proceeds of prints sold will be split 50/50.+
latitude programming
Marzena Abrahamik, Alejandro T. Acierto, Lawrence Ageyi, Beck Andersen, Anwulika Anigbo, Lucy Wood Baird, Mara Baker, Aimée Beaubien, Elizabeth Bick, Jeremy Bolen, Clarissa Bonet, Jan Brugger, Samantha Cabrera-Freind, Billie Carter-Rankin, Alex Chitty, Kelli Conell, Paul D'Amato, Nat Decker, Todd Deidrich, KT Duffy, Amy Elkins, Liz Ensz, Assaf Evron, Rachel Fein-Smolinski, wd floyd, Jackie Furtado, Madeline Gallucci, Parisa Ghaderi, Max Guy, Kate Hampel, Jessica Harvey, Robert Chase Heishman, Daniel Hojancki, James Hosking, Alan Huck, Ai Iwane, Dominika Jackuliakova, Kelly Kristin Jones, Cecil McDonald Jr., Lyndon Barrois Jr., Priya Kambli, Kean’Obrien, Cole Kelley, Jessica Labatte, Yashoda Latkar, Cornelia Lein, Chantal Lesley, Xi Li, Luftwerk, Adriano Machado, Jordan Martins, Jordan Matthew, Nicole Mauser, Isabelle Frances McGuire, Noritaka Minami, Joseph Josué Mora, Gabriel Moreno, Nyeema Morgan, Natasha Moushtache, Eliza Myrie, John Neff, Huong Ngo, B. Ingrid Olson, zakkiiyyah najeebah dumas oneal, Carlos Javier Ortiz, Nathan Pearce, Zoe Rain, Jason Reblando, Kayla Reefer, Justin Rhody, Bri Robinson, Oli Rodriguez, Ken Rosenthal, Amina Ross, David Rothenberg, Anastasia Samoylova, Jay Turner Frey Seawell, Sara Sowell, Shelby Stone, José Taymani, Sonja Thomsen, Marcela Torres, Zsofi Valyi-Nagy, TaiTaiX Tina Wang, Claudia Weber, Nicole White, Joseph Wilcox, Jade Williams, Alex Wolfe, Jaclyn Wright, Reuben Wu, Guanyu Xu
Marzena Abrahamik, Alejandro T. Acierto, Lawrence Ageyi, Beck Andersen, Anwulika Anigbo, Lucy Wood Baird, Mara Baker, Aimée Beaubien, Elizabeth Bick, Jeremy Bolen, Clarissa Bonet, Jan Brugger, Samantha Cabrera-Freind, Billie Carter-Rankin, Alex Chitty, Kelli Conell, Paul D'Amato, Nat Decker, Todd Deidrich, KT Duffy, Amy Elkins, Liz Ensz, Assaf Evron, Rachel Fein-Smolinski, wd floyd, Jackie Furtado, Madeline Gallucci, Parisa Ghaderi, Max Guy, Kate Hampel, Jessica Harvey, Robert Chase Heishman, Daniel Hojancki, James Hosking, Alan Huck, Ai Iwane, Dominika Jackuliakova, Kelly Kristin Jones, Cecil McDonald Jr., Lyndon Barrois Jr., Priya Kambli, Kean’Obrien, Cole Kelley, Jessica Labatte, Yashoda Latkar, Cornelia Lein, Chantal Lesley, Xi Li, Luftwerk, Adriano Machado, Jordan Martins, Jordan Matthew, Nicole Mauser, Isabelle Frances McGuire, Noritaka Minami, Joseph Josué Mora, Gabriel Moreno, Nyeema Morgan, Natasha Moushtache, Eliza Myrie, John Neff, Huong Ngo, B. Ingrid Olson, zakkiiyyah najeebah dumas oneal, Carlos Javier Ortiz, Nathan Pearce, Zoe Rain, Jason Reblando, Kayla Reefer, Justin Rhody, Bri Robinson, Oli Rodriguez, Ken Rosenthal, Amina Ross, David Rothenberg, Anastasia Samoylova, Jay Turner Frey Seawell, Sara Sowell, Shelby Stone, José Taymani, Sonja Thomsen, Marcela Torres, Zsofi Valyi-Nagy, TaiTaiX Tina Wang, Claudia Weber, Nicole White, Joseph Wilcox, Jade Williams, Alex Wolfe, Jaclyn Wright, Reuben Wu, Guanyu Xu
The Latitude Artist Residency has been a part of our organization since the very beginning and has always been mutually transformative. In 2026, we welcomed our 100th Artist in Residence. We are celebrating this milestone with an exhibition centering the AIR program and its legacy. This year Latitude’s annual fundraiser Pinhole will feature the vast array of incredible artists who have helped to shape this organization.
FEATURING ARTWORK BY Marzena Abrahamik, Alejandro T. Acierto, Lawrence Ageyi, Beck Andersen, Anwulika Anigbo, Lucy Wood Baird, Mara Baker, Aimée Beaubien, Elizabeth Bick, Jeremy Bolen, Clarissa Bonet, Jan Brugger, Samantha FRIEND, Billie Carter-Rankin, Alex Chitty, Kelli Conell, Paul D'Amato, Nat Decker, Todd Deidrich, KT Duffy, Amy Elkins, Liz Ensz, Assaf Evron, Rachel Fein-Smolinski, wd floyd, Jackie Furtado, Madeline Gallucci, Parisa Ghaderi, Max Guy, Kate Hampel, Jessica Harvey, Robert Chase Heishman, Daniel Hojancki, James Hosking, Alan Huck, Ai Iwane, Dominika Jackuliakova, Kelly Kristin Jones, Cecil McDonald Jr., Lyndon Barrois Jr., Priya Kambli, Kean’Obrien, Cole Kelley, Jessica Labatte, Yashoda Latkar, Cornelia Lein, Chantal Lesley, Xi Li, Luftwerk, Adriano Machado, Jordan Martins, Jordan Matthew, Nicole Mauser, Isabelle Frances McGuire, Noritaka Minami, Joseph Josué Mora, Gabriel Moreno, Nyeema Morgan, Natasha Moushtache, Eliza Myrie, John Neff, Huong Ngo, B. Ingrid Olson, zakkiiyyah najeebah dumas oneal, Carlos Javier Ortiz, Nathan Pearce, Zoe Rain, Jason Reblando, Kayla Reefer, Justin Rhody, Bri Robinson, Oli Rodriguez, Ken Rosenthal, Amina Ross, David Rothenberg, Anastasia Samoylova, Jay Turner Frey Seawell, Sara Sowell, Shelby Stone, José Taymani, Sonja Thomsen, Marcela Torres, Zsofi Valyi-Nagy, TaiTaiX Tina Wang, Claudia Weber, Nicole White, Joseph Wilcox, Jade Williams, Alex Wolfe, Jaclyn Wright, Reuben Wu, Guanyu XuAND MORE
:: SAVE THE DATE ::
FRIDAY, DECEMBER 4th
! WE CELEBRATE !
LATITUDE ANNUAL BENEFIT
PINHOLE @ SOCCER CLUB CLUB
2923 N Cicero Ave, Chicago, IL 60641
MORE DETAILS COMING SOON
Bloom, 2021
AIR 2024
Inkjet print on paper
8 × 10 Inches
This portrait was taken in LA in 2021, still in the midst of COVID. Itching to create, I reached out to Essence, who was in LA working on a few projects, and we decided to get together and shoot. This is one of those images I’ll always remember because there was no real plan—we were simply being free, creating, and enjoying the moment.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Romance this the possibility of love, 2021
AIR 2024
Inkjet print on paper
8 × 10 Inches
The moment when the table is set but the ritual has yet to begin.
This print is an edition of 100, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Grounded Training, 2026
AIR 2026
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Untitled , 2025
AIR 2025
Inkjet print on paper
8 × 10 Inches
This print is a digital mock up of a work I made during my time as a resident at Latitude. The final work consists of one pigment print on paper mounted on the wall and one print on organza that floats on top of the flat print.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Scene from the Second Story, 2026
AIR 2022
Inkjet print on paper
8 × 10 Inches
This image is an adapted composition from a featured project I produced for the spring 2026 issue of ArtReview Magazine, entitled “Second-Story Artifacts.” It accounts for the archaic title attributed to thieves as ‘second-story men’ due to the tactic of burgling via entering the second floor.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Open Fall (from with Inger), 2018
AIR 2023
Inkjet print on paper
8 × 10 Inches
‘Open Fall’ is part of ‘With Inger’, an open-ended project inspired by the chance discovery of Inger Helene Boasson’s 35mm contact sheets in Iceland. During a month-long residency in Reykjavík, I compulsively re-photographed every image of waterfalls and volcanoes I encountered. Combining my photographs with those of a stranger, I create layered encounters across time, memory, and authorship. In Open Fall, a strip of Inger’s contact sheet drifts across an image of a door, collapsing decades and distances while transforming a threshold into a meeting place between past and present.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Carolina, 2025
AIR 2016
Inkjet print on paper
8 × 10 Inches
Aiken, SC. South Carolina reenactments, particularly for the Revolutionary War and Civil
War, have a long history, with many events held at historic battlefields and sites. Along with
battle reenactments, many residents of South Carolina are members of invitation-only clubs
that commemorate their ancestors who fought on the Confederate side of the Civil War. Here an antebellum ball was hosted by the organizers of the annual Battle of Aiken in Aiken, SC.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Ink Experiment: logwood, cochineal, weld, buckthorn, indigo, green earth, 2023
AIR 2023
Inkjet print on paper
8 × 10 Inches
The work was produced on Latitude's Overhead Scanner during my residency in 2023 and records a fleeting moment of wet ink interacting with itself before it dries. The inks are made from foraged and cultivated weeds, wildflowers, bark, and insects.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Crossing, 2024
AIR 2016
Inkjet print on paper
8 × 10 Inches
A solitary, shadowy figure crosses the street toward the camera. I have long been fascinated by the anonymous individuals we encounter in the city each day and the mystery of who they are and where they are going. The silhouetted figure has become a recurring motif in my work, reflecting the anonymity, distance, and fleeting encounters of contemporary urban life.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Lake Michigan and Asphalt #5, 2018
AIR 2018
Inkjet print on paper
8 × 10 Inches
From the exhibition, "Casual Invisibility" at Soccer Club Club, Chicago - 2018
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
surFace Tension 130, 2025
AIR 2025
Inkjet print on paper
8 × 10 Inches
A blue, purple, and pink fabric print of a reaching hand floats partially submerged in clear, rippling water. The water's surface reflects light, revealing green and blue tones over a textured, rocky bottom.
Brugger’s “surface tension” series builds off of “Devices Used to Stay Afloat”, a photographic series of post-apocalyptic sculptures floating on water. They visualize isolation, digital distraction, and material ruins to echo how environments of work and waste shape our emotional landscapes. Paradoxical elements like air, earth, and water are catalysts of life but also hold the power to take it away. What will live on when we’re all gone?
This print is an edition of 100, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Clad in White, 2019
AIR 2024
Inkjet print on paper
8 × 10 Inches
In 2018, I inherited photo albums from my maternal grandparents. Despite not recognizing most of the faces, the depiction of birthdays, rituals, and celebrations felt familiar, as I compared these depictions to my understanding of self and personal worldview. This sparked questions about archival access and how meaning shifts as time separates images from their original context. Clad in White is the first iteration of me addressing these questions, where I began exploring the possibilities of an archive over time, and how it becomes recontextualized through new audiences and materials.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
(I’ll film myself) thinking about you as the photographer behind the lens, 2024
AIR 2016
Inkjet print on paper
8 × 10 Inches
This work is a portrait of the artist posing for the camera (or someone who is not there).
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Interior (Ptg #1), 2014/2026
AIR 2014
Inkjet print on paper
8 × 10 Inches
This work is a printed photographic element included in a 2014 sculptural wall unit. The image was made using a scanned photograph of a plaster model of the back of my head made by a friend when I studied at the Arts Students League in NYC (2002). The musical note is drawn with photoshop.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
4 Half Gallon Crew,
AIR 2015
Inkjet print on paper
8 × 10 Inches
from: the Train Riders
This print is available only from September 17th - December 7th, 2026 in an edition of 1-20 with 2 APs. After this date, this image will not be made available in this format again.
blue milk glass and sea shells in the smokey driftless, 2026
AIR 2023
Inkjet print on paper
8 × 10 Inches
blue milk and sea shells in the smokey driftless” was made on a broken laptop while working at ACRE Residency this summer in Wisconsin. Wildfire smoke from Minnesota and Ontario filled the air during a heatwave mosquito millipede explosion spiral. And we carried the weight of collapse around campus on sandy dirt roads. There is an antique mall in a haunted lodge, but I don’t think they have any blue milk glass to add to my collection of trinkets made by fire and water.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Chuckie's Diner (Bay City, Michigan, demolished 2025), 2020
AIR 2023
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Electric Rope, 2010
AIR 2014
Inkjet print on paper
8 × 10 Inches
There is an alchemical transmutation in shooting on film; a kind of earth magic that combing it's properties to freeze time. This photograph was made between the anticipated 2012 apocalypse and the activation of CERN's Large Hadron Collider. The world seemed beyond perception.
This image first appeared in my monograph, Luminous Flux, but has never existed as a standalone print. It was created just before my time as a Latitude AIR, during a period when I spent countless hours wandering the streets with a camera, questioning both the act and purpose of photographing. Why roam? Why photograph at all?
After years of holding this image close, it feels only fair to release it back into the world. It is a photograph born from a particular moment, one that could only be made through the alchemy of film, time, and chance.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Orphism, 2026
AIR 2019
Inkjet print on paper
8 × 10 Inches
A constellation of luminous forms drifts through an indeterminate void, weaving together topographies that feel at once cellular, geological, and cosmic. Through layers of looping, translucent line, the work imagines the universe as an ever evolving field of interconnected forces, where transformation replaces certainty and mysticism emerges through relation rather than revelation. It offers a vision of the cosmos as a living, generative entity in which all forms remain unfinished, entangled, and perpetually becoming.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
singular departure, close, but over there, 2026
AIR 2023
Inkjet print on paper
8 × 10 Inches
This work is part of a series of self portraits, I made while on an artist residency at Camargo Foundation in Cassis, France. I was utilizing self portraiture at the time, as a poetic response toward internalized feelings of strangeness and unfamiliarity, alongside the possibilities having the capacity to feel more open, and ecstatic in unknown spaces. a paradox of sorts.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
500 Yr Carbon Bank, 2025
AIR 2016/2025
Inkjet print on paper
8 × 10 Inches
This photograph was taken in an old growth area of the Siuslaw National Forest in Western Oregon.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Akuuragna/Pasadena, Huntington Library Parking Lot (Fallen Ornamental Pomegranate flowers), 2021
AIR 2014
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Visual Pyramid After Alberti, 2013
AIR 2017
Inkjet print on paper
8 × 10 Inches
Visual Pyramid After Alberti is a series of infrared photographs of discrete objects illuminated by an Xbox Kinect sensor. The Kinect is an early consumer 3D scanner that emits a cone of invisible infrared light beams to map space and objects in its field. By capturing this invisible light with an infrared camera, the work points out to the literal actualization of Leon Battista Alberti's Renaissance theory of vision, in which sight is understood as a pyramid of rays emanating from the eye toward the world.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Why Med School? or How Spinal Anesthesia acts on The Heart, 2023
AIR 2020
Inkjet print on paper
8 × 10 Inches
Plate 14, from Something is Wrong, originally published by Johns Hopkins University Press, in Volume 41, Spring 2023 of Literature and Medicine. This article and photo-comic were made for the issue of the journal on the theme of recovery, edited by Michael Blackie. Image details: fig. 42 Piece of notebook paper with “Med School Interview Questions” found on the floor of a Wegmans in Buffalo, NY
fig. 43 Drawing from Jackie Felix, my grandmother, overlayed on a photograph of a bottle of Gabapentin, an anticonvulsant used to treat chronic pain
fig. 44 Clinical photograph, Scoliosis, 1931
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Dino smile, 2014
AIR 2020
Inkjet print on paper
8 × 10 Inches
A dinosaur smiles, overlooking a cheery landscape
This print is an edition of 5, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again. 100% of proceeds of this print will go to Latitude.
Mild Sauce, 2020
AIR 2020
Inkjet print on paper
8 × 10 Inches
Portrait taken outside of Uncle Remus Juneteenth, 2020
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Knob Hill, 2026
AIR 2018
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Untitled (mimosa flower + car mirror), 2026
AIR 2022
Inkjet print on paper
8 × 10 Inches
This work brings together layers of prints and photographs made during my residency at LATITUDE along with fragments of studio objects, found debris, and iPhone photographs. Photography is a core part of my painting process, serving as a way to collect observations that later inform and frame my work. Here, a broken side mirror found on my walks through Chicago, my current home, layer onto with a mimosa flower from North Carolina, where I was born. Together, these images reflect on transformation, relocation, and the ways memory and place become layered through everyday acts of looking.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Time Control Test (1200DPI), 2021
AIR 2021
Inkjet print on paper
8 × 10 Inches
It's a game I set up with a scanner, a sheet of paper and a clock. I cut three windows into the sheet of paper and place it on a scanner, then, I move the clock across the three windows just in time for the scanner to capture it's whole shape. As the scanner increases or decreases in resolution, it moves faster or slower, so it gets more or less difficult to play.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
JORDROK, 2020
AIR 2017
Inkjet print on paper
8 × 10 Inches
In this staged photography project at the IKEA store, I explore the notion of home as an Iranian émigré and how it relates to our bodies and the spaces we inhabit.
This print is an edition of 10, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Water Bodies (to carry), 2025
AIR 2016
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Utopia, 2014
AIR 2018
Inkjet print on paper
8 × 10 Inches
This print is part of a larger series titled ‘Arrows of the Dawn,’ which follows the remnants, fractures, and limits of Utopian visions which populated the Hudson Valley at the start of the 20th century- specifically looking at Byrdcliffe, and the story of the under-recognized matriarch of the community, Jane Byrd McCall Whitehead and her relationship to nature, spirituality, and the failed Utopian vision she had for herself and her family.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Dust Collected From LATITUDE Studio Windows (02.16.2023), 2026
AIR 2023
Inkjet print on paper
8 × 10 Inches
Created during my time as a resident artist with LATITUDE at the old 1821 W.Hubbard space, I would collect the dust that was fallen upon the window sills and scanned the material on a flatbed scanner. Creating a demarcation of time with the ironic infiltration of a material so keen on being kept away from photography inevitably making its way into the studio.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
_IMG (common bond; end of day piece), 2026
AIR 2019
Inkjet print on paper
8 × 10 Inches
_IMG: common bond; end of day piece" is a photographic construction examining the labor of picture-making through the structural logic of the "Common Bond" bricklaying pattern (also known as "American Bond"). A floating trowel belonging to my late father anchors the composition, joined by other tools, studio materials, and a reflective tape drawing-in-space in the upper register of the composition — which creates an optical shifting between foreground and background. The "Common Bond" pattern — whose headers prevent structural collapse — becomes both structure and metaphor. This work is dedicated to the bricklayers of my family, and all the builders in this world who make our world livable and hospitable.
This print is an edition of 50, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
A Pleasure Reader, 2024
AIR 2025
Inkjet print on paper
8 × 10 Inches
collage
This piece is part of the ongoing narrative collage series “The Personals,” set between 1966 and 1981. Drawing on archival imagery and text, “The Personals” examines how print media and social constraint shaped LGBTQ+ desire and self-conception in the pre-digital era.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Untitled (Paris), 2025
AIR 2022
Inkjet print on paper
8 × 10 Inches
Paris, 2025
This print is an edition of 25, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Tomášovce (from the series R2), 2021
AIR 2016
Inkjet print on paper
8 × 10 Inches
A family house from the 1970s on Ostretky I Street, remodeled by its new owners.
This print is available only from September 17th - December 1st, 2026. After this date, this image will not be made available in this format again.
Light From Fifty Years Ago, 2026
AIR 2019
Inkjet print on paper
8 × 10 Inches
Created during the BEPPU PROJECT residency program, transiton2 (2025–26), this work was produced in Beppu, Kyushu, a city known as Japan's first major postwar tourist destination and home to more than 2,800 hot springs. The hot spring water is said to originate from rain that seeped underground 50 years ago, where it was heated by magma before resurfacing. Iwane borrowed a 1970s camera from a now-closed photo studio and photographed Beppu's tourist sites on Neopan SS film manufactured in 1975. The resulting images reveal light that slowly penetrated the film's black paper backing over the course of fifty years.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
What the Garden Does, 2026
AIR 2019
Inkjet print on paper
8 × 10 Inches
A found image in a contemporary women's magazine depicts an expansive azalea garden, a familiar emblem of the South deeply entangled with the history of plantation landscapes. While several azalea species are native to the southeastern United States, the sweeping ornamental plantings at historic estates emerged after the Civil War, transforming sites of violence into picturesque destinations. I remove pigment from the printed image by hand, abrading its surface until the photograph begins to falter. The act of erasure interrupts the image's pastoral message, asking how beauty, memory, and photography shape the stories landscapes are made to tell.
This print is an edition of 25, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Muma and Me (Baba's shadow), 2019
AIR 2019
Inkjet print on paper
8 × 10 Inches
Spanning two decades, “Archive as a faithful Companion”, is a personal photographic project, grounded in the interventions with my family photographs. These photographs brought with me from India to the United States when I was 18 years old, include family photographs taken by my father, taken in Indian portrait studios, and my parents’ wedding albums. My move, triggered by the death of both parents, marked my permanent separation from my sister; I came to the United States alone carrying my inheritance packed in a suitcase that weighed 45 kilograms. In this work, I have revisited, rephotographed, recontextualized and re-gendering my archive (every photograph in my archive was made by a man) to create work in the context of migrant narratives and feminist practice.
This print is an edition of 10, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Spotting Latitude (Jessica), 2026
AIR 2015
Inkjet print on paper
8 × 10 Inches
In the Spotting series, colorful studio-constructed collages were transformed through collaborative digital editing in which assistants removed dust from scanned negatives. Rather than eliminating these traces, I preserved the erasure layers, making visible the labor embedded in photographic production and intentionally blurring authorship. These works foreground accumulation, collaboration, and the temporal qualities of photographic images.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Untitled,2020
AIR 2018
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Studio Shots, 2024
AIR 2024
Inkjet print on paper
8 × 10 Inches
Studio shots' from the series "Weaves Have Become Memories" is a visual journey into the heart of family dynamics and personal history. This series is born from a blend of old family photographs and the intricate details of my mother’s beloved Paithani saree. Paithani sarees, with their gold zari weave, are not just garments but symbols of heritage and tradition. In my work, these weaves become a canvas for exploring the interplay of memory and relationship.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Reverberation (echte Dinge/real things)
AIR 2017
Inkjet print on paper
8 × 10 Inches
The work is a reminiscence to the artist book ‘echte Dinge / real things’, I created during my residency at Latitude Chicago in 2017. I was researching architectural models and storytelling en miniature at the time. Living in Chicago I was struck how hyperreal many scenes and how massive everyday objects felt. I bought little manufactures objects from the supermarket and scanned my hands holding them. Inspired by a stray find book ‘How to learn German‘ from the 80ies that wildly mix-matched German and English in the sentence, I translated the umbrella term of each collected object as they would sound to a person from the other language area. On the page next to the fake lemon it reads Obst (owe-bst) - fruit (fwrut). With ‘Reverberation (echte Dinge/real things)’, 2026 I once again detach the object from its definition. The scanned image now hovers above a loose cluster of blank sticky notes in an unknown location. I hope to pop round to Chicago again soon for a glass of lemonade.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Blue Room Ikebana, 2025
AIR 2024
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
A Shadow Leaves No Trace 1, 2025
AIR 2022
Inkjet print on paper
8 × 10 Inches
This work is informed by the Andean concept of Pachakuti, a Quechua term meaning upheaval and renewal, the turning of the world. In Andean cosmology, pacha refers to time, space, and the cosmos, while kuti refers to return, reversal, and transformation. Together they describe cycles where established orders collapse and new forms emerge.
In this series, I extend Pachakuti through archival images of my family and photographs of places I feel connected to. These materials explore how memory, migration, and belonging overlap, creating a dialogue between inherited histories and lived experience.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Photo of Open Frame 6, Perspective No. 1, 2025
AIR 2018
Inkjet print on paper
8 × 10 Inches
Photo of Open Frame 6, Perspective No. 1.
Open Frame is an installation of 26 paintings on aluminum inspired by the windows of a sacred space designed by Corbusier. The print depicts a "window" in the evening.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Hospitalidad, 2022
AIR 2020
Inkjet print on paper
8 × 10 Inches
When I was in Chicago in 2022, I unexpectedly became friends with Carmen Quiles-Calyborn, her husband John, and their son Gilberto. They taught me something I had been searching for as I traveled the world, guided by photography, but what I was truly seeking was to perceive the bonds of affection between people, often built regardless of the language we speak. They taught me the ancestral meaning of hospitality.
So, we created a portrait in which the mystery of Puerto Rican celebrations emerges in front of the house as an invitation and, at the same time, a reminder that magic never ceases to inhabit our lives.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
8th of August, 2025
AIR 2025
Inkjet print on paper
8 × 10 Inches
A moment during the 8th of August celebration in Paducah, Kentucky.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
The sounds of color and the light of a sigh, 2025
AIR 2022
Inkjet print on paper
8 × 10 Inches
This image was shot when I was artist in residence in the fall of 2025 at the College of Dupage. My research into the college archives and conversations with various folks on campus led me toward a broad view of the landscape that the college is situated in, including an extensive prairie and wetland preserve, which is often juxtaposed with some very splashy, non-native landscaping that a previous president of the college had installed around fifteen years ago. I shot several photographs in these different “nature” areas with different color gels over my flash to see how the color projection interacts with or is absorbed by the plant species in the frame (also relative to their distance from the flash).
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
From the Cutting Room Floor,2025
AIR 2020
Inkjet print on paper
8 × 10 Inches
Fragmented black and white 35mm photograph of a still life from the studio with acrylic and painters tape. Actual size approximately 4 in x 6 in.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Bearing Witness, 2026
AIR 2015
Inkjet print on paper
8 × 10 Inches
A work from a new body of work: Notes on an American Beauty," where I consider the ideas and aesthetics around beauty both in our society and in the world of photography.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Facade, 2011
AIR 2017
Inkjet print on paper
8 × 10 Inches
From 2010 to 2022, I documented the Nakagin Capsule Tower in Tokyo, Japan, in a series titled “1972.” The architect Kisho Kurokawa, who designed this experimental building with 140 removable capsule apartments, envisioned it as the future of architecture in 1972. My project investigated what became of this structure as it faced imminent disappearance decades later. I captured the various states of individual capsules to reflect on the passage of time since the building first opened as a prototype for the future. My work at this building concluded when it was finally demolished in August 2022.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Witch, 2025
AIR 2019
Inkjet print on paper
8 × 10 Inches
“Witch” depicts McGuire’s 2026 Whitney Biennial contribution, "Satan in America and Other Invisible Evils: Experiments in Public Sculpture (Witch)", without its costume. What's left is a painted medical scan.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
untitled, 2017
AIR 2026
Inkjet print on paper
8 × 10 Inches
fish in a boat
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Paletero, 19th + Wolcott, 2026
AIR 2026
Inkjet print on paper
8 × 10 Inches
"Paletero, 19th + Wolcott" is within a series documenting people working with, or handling, refrigeration.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Groundskeeper, 2021
AIR 2023
Inkjet print on paper
8 × 10 Inches
Groundskeeper' was made in 2021 in the Victoria Botanical Gardens in Mahe, Seychelles. The portrait has been a favorite of mine for years and yet I've never found a home for it within one of my projects. I came upon the groundskeeper while visiting in 2021. There was something in the way he leaned on a nearby granite rock - the kind the islands were borne of centuries ago - while taking a call on a modern device. The green tone of his uniform perfectly matching the verdant background such that he almost disappeared into the foliage. I motioned to my camera in a gesture that asked if I could make his portrait and he nodded just enough to signal, 'yes,' - never shifting his body or changing his facial expression. I made the portrait, and continued on in the gardens.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
and this (studies for traps), 2026
AIR 2022
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Install Fragment: Gaffers tape as a stanchion in Alberto Aguilar's exhibition at the Chicago Cultural Center's Exhibit Hall by NFA Space, Chicago, IL, 7/23/2026, 2026
AIR 2024
Inkjet print on paper
8 × 10 Inches
In 2016, as an installation gallery assistant at SITE Galleries, I began documenting traces of monotonous gallery preparation tasks invisible to the public. That year's presidential election heightened my awareness of my own identity, drawing me toward the overlooked labor of art preparators, work I saw as parallel to the unseen labor of undocumented immigrants sustaining US industries. This practice continued through my roles as Director of Installation at SITE Galleries (2017-2018) and as Assistant Director of Exhibitions and Staff Advisor to SITE Galleries and INCUBATOR (2022-2025). Printed as instant photos, these images captured labor's rapidity and mundanity, becoming a lifelong archiving practice woven through my art.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
central_hand_tonal_balance. , 2026
AIR 2013
Inkjet print on paper
8 × 10 Inches
Part of an ongoing photographic project made with a modified flatbed scanner used as a camera. Performers press and move, producing fragmented images shaped by touch, movement, and pressure. These photographs become source material for composite figures, assembled with AI in relation to historical traditions of religious imagery.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Get Well Soon, 2016
AIR 2024
Inkjet print on paper
8 × 10 Inches
Get Well Soon was made in 2016 as I left Chicago for Los Angeles after three months in the hospital from complications of chronic, life-threatening autoimmune illness. In the image, a cheerful “get well” balloon is tethered to a brick at the edge of frozen water. Its promise of recovery is held down by cold stillness. As a queer, trans artist, organizer, and writer living with chronic illness, I consider how capitalism measures bodily worth through productivity and renders sick bodies disposable. The work resists recovery as demand, asking what forms of endurance emerge when cure is not guaranteed.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Bitter Melon, 2026
AIR 2015
Inkjet print on paper
8 × 10 Inches
This image was originally produced as an unfixed Van Dyke photogram of my mother's bitter melon plant, growing on a trellis. The bitter melon is a beautiful ugly vegetable that doesn’t see time in a linear fashion. When it takes off, it is relentless, violent, and awe-inspiring in its speed and volume of growth. When I see a bitter melon growing in a garden, I feel at home.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Composite Draft (Errant Plane), 2014-2026
AIR 2017
Inkjet print on paper
8 × 10 Inches
This is a physical collage featuring a photographic print stapled to a photocopy, with stamped toe-prints lining the bottom edge. The double date (2014–2026) marks the chronological separation between the creation of the images, pointing to the durational quality of an artistic practice—a return to earlier material as a form of rethinking, restaging, and reframing.
This print is an edition of 100, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Sweet Serotonin, 2026
AIR 2020
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Untitled, 2026
AIR 2016
Inkjet print on paper
8 × 10 Inches
I traveled a long way to make this work. It is 4 steps from my studio door.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Vinyl - Streisand, 2020
AIR 2019
Inkjet print on paper
8 × 10 Inches
This print is an edition of 100, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again. 70% of the proceeds will go to to latitude and 30% to Evertown for Gun Safety.
Untitled (Santa Fe, New Mexico), 2025
AIR 2018
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
(untitled) Santiago, Chile, 2015
AIR 2026
Inkjet print on paper
8 × 10 Inches
a chilean sunset on a spring evening.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
sensuous entanglement, 2025
AIR 2025
Inkjet print on paper
8 × 10 Inches
Sensuous Entanglement explores the layered ways Black erotic imagery circulates through personal memory, archival research, and material. The work draws a pornographic publication discovered among the hidden belongings of a loved one after their passing—alongside a worn party flyer, a playing card, and other collected ephemera. These materials reflect on the different ways we encounter erotic media across generations, blurring the boundaries between private inheritance and institutional archives. Constructed with felt a material made by binding separate fibers into a unified whole this piece echoes themes of fragmentation, sexuality, accumulation, and intimate entanglement.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Untitled (pink purple heads), 2014
AIR 2018
Inkjet print on paper
8 × 10 Inches
This photo is a study for my 3D animation piece “from the center of my earth/body…” (2018) from my exhibition Daisy Chain at Prairie
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Eruption (from the series A Night On Fire, The Flood, and the Falls), 2018
AIR 2017
Inkjet print on paper
8 × 10 Inches
B&W image of a geyser erupting at night
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Untitled (Shims), 2017
AIR 2022
Inkjet print on paper
8 × 10 Inches
from the series "Covered Tracks."
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Untitled (5973), 2026
AIR 2026
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Reporter, NATO Summit, Chicago, 2012, 2012
AIR 2015
Inkjet print on paper
8 × 10 Inches
This image depicts a reporter pausing during the action of the NATO Summit in downtown Chicago, summer, 2012
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Still #22 from "Panacea", 2016
AIR 2019
Inkjet print on paper
8 × 10 Inches
“Panacea” is an experimental 35mm slide projection piece first created in 2016. Consisting of 32 layered and collaged color-slides, and b&w negatives. Fusing together themes of self-preservation, abstraction and one's relationship to worlds within and outside of self, the projection was presented as a live-run performance played in conjunction with a pressed recording of Nikki Giovanni's poem "Pretty Little Baby", from her 1971 album, "Truth Is On It's Way". The two-week residency at Latitude, which took place in 2019, is where the archiving of the "Panacea" first began.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Lucia Legend iii , 2022
AIR 2015
Inkjet print on paper
8 × 10 Inches
In 2022 I created an immersive space in the MoCP stairwell that is a tribute to Lucia Moholy, whose career was overshadowed by her once husband, Bauhaus educator László Moholy-Nagy. Working with reproductions of Moholy’s photographs, I crop sections to emphasize imagery of hands across different generations to underscore unacknowledged labor and care provided by women. Orbiting Lucia (2022) manifests the weight of Lucia Moholy’s (under recognized) co-authorship with her husband Lazlo Moholy-Nagy. Lucia (1894-1989) co-authored the photogram, amongst other contributions to photographic theory and practice.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Untitled, 2026
AIR 2026
Inkjet print on paper
8 × 10 Inches
In 2016, as an installation gallery assistant at SITE Galleries, I began documenting traces of monotonous gallery preparation tasks invisible to the public. That year's presidential election heightened my awareness of my own identity, drawing me toward the overlooked labor of art preparators, work I saw as parallel to the unseen labor of undocumented immigrants sustaining US industries. This practice continued through my roles as Director of Installation at SITE Galleries (2017-2018) and as Assistant Director of Exhibitions and Staff Advisor to SITE Galleries and INCUBATOR (2022-2025). Printed as instant photos, these images captured labor's rapidity and mundanity, becoming a lifelong archiving practice woven through my art.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
The Sacred Heart of Black Men, 2018
AIR 2019
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Apart, 2019
AIR 2018
Inkjet print on paper
8 × 10 Inches
Cameraless photograph.
This print is an edition of 20, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Feeling is Believing (Motivational Poster), 2026
AIR 2026
Inkjet print on paper
8 × 10 Inches
Motivational poster from the office of Dr. Fifi Robinson, Intuitive Imaging Industries, California, USA. Turn your office, waiting room, or lounge into a welcoming, affirming space with this serene rainbow waterfall scene featuring our motto, “Feeling is Believing™️”. Poster comes laminated.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Untitled, 2016
AIR 2017
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
When I Think of Home, 2022
AIR 2024
Inkjet print on paper
8 × 10 Inches
When I Think of Home is a series of five cyanotype collages on cotton paper, bringing together research notes, original poems, sketches, photographs of Williams’s grandparents’ homes, and intimate images of her hands with her grandmothers. The third print layers handwritten poetry, sketches, and imagery of her hand holding pomegranate seeds. Williams reflects on safety, love, release, and becoming whole, while the repeated phrase “I’m going to be in spaces I’ve dreamed of” speaks to longing and possibility. “If my body were a home, where would my heart be?” anchors the work in an intimate exploration of belonging.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Bench, 2023
AIR 2017
Inkjet print on paper
8 × 10 Inches
This print is part of a larger set of works connected to the film "Nobody Wants to Fix Things Anymore", a short film about a lost man who finds a special rock. The narrative uses AI generated images and speech, surveillance photographs, and original video to weave together a story of the search for a kindred spirit.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
May 5, 2021 at 4:41 PM, Linden, NJ, 2021
AIR 2025
Inkjet print on paper
8 × 10 Inches
The final resting place of Raymond Tse: a full-size granite replica of a Mercedes-Benz 240 Diesel in Rosehill Cemetery. I encountered his grave while on an eight-day walk from Brooklyn to Philadelphia in 2021.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
LL-09292014-01042020, 2020
AIR 2022
Inkjet print on paper
8 × 10 Inches
Resident Aliens presents physical photographic installations within immigrants' interior spaces to examine their personal histories and complex experiences. Through photographing the layered images of immigrants' interior spaces, belongings, personal photo archives, and pictures of places they captured in this world, the project blurs the boundaries between the familiar and foreignness, private and public, belonging and alienation. Resident Aliens is particularly meaningful when we face the rise of neo-nationalism and xenophobia across the globe.
This print is an edition of 50, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Ephemeris II, 2024
AIR 2013
Inkjet print on paper
8 × 10 Inches
Midnight, Black Rocks, Presque Isle, Marquette. The rocks are metamorphosed igneous peridotite - among the oldest exposed formations on the planet.
What is captured here is shaped as much by the wind and the water as by my own hand. A long exposure on an ancient shore, where the elements leave their mark alongside mine.
This print is an edition of 100, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
not yet titled, from "Leveling" series, 2026
AIR 2018
Inkjet print on paper
8 × 10 Inches
This not yet titled work from the "Leveling" series documents a large-scale housing development in the western suburbs of the Phoenix metropolitan area. Leveling a series of plateaus into the foothills of the mountainous desert landscape, this massive new housing community has reshaped over 37,000 acres of land to build nearly 100,000 new homes in the span of a few short years. Noting the precarity of water in the Sonoran desert, this project questions the conditions under which settlements occur and asks, who gets to make home in the desert?
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Five Plants or Less, II, 2017
AIR 2017
Inkjet print on paper
8 × 10 Inches
GIRL PLAY invites the viewer to consider the relationship of the photograph to the visible world, through a fantasy that radiates the female gaze, where landscapes are subverted, women are unashamed, provoked, rebelling and changing destinies.
This print is an edition of 100, available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Los Americanos, 2006
AIR 2014
Inkjet print on paper
8 × 10 Inches
An estimated 400,000 protesters took to the streets of Chicago Monday May 1, 2006 to show their support for the 11 million illegal immigrants living in the United States. Hundreds of thousands of immigrants and their supporters took part in marches across the country, part of the nationwide boycott, "Day Without an Immigrant." Chicago's march was a mostly peaceful and united message to the U.S. Congress which is debating the status of illegal immigrants.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Harpist, 2024
AIR 2015
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Parchas, 2025
AIR 2016
Inkjet print on paper
8 × 10 Inches
This piece Parchas (Passionfruit) is part of a larger photographic series entitled Frutas by the Sea. This project reflects on the Transatlantic Slave Trade and specifically Spanish colonialism within the Carribean, South America and throughout other equatorial lands with the travel of seeds. Thus, colonialism began the monopoly of food imperialism. This project arranges fruits/frutas on a canvas backdrop as a visual of this imperialism. These images are scaled, the original are scroll size (1.5ft x 13ft.) signifying the ties to crests of royalty and colonialist histories.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Jaguar Steering Wheel, Palm Beach, FL, 2014
AIR 2015
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Contain the light when it shines too hard, 2026
AIR 2026
Inkjet print on paper
8 × 10 Inches
This is an installation shot of Wrinkled in Gold, that I created while in residence at Latitude in February of 2026.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Xochiotia: El Paseo Garden, 2021
AIR 2019
Inkjet print on paper
8 × 10 Inches
Documentation image of an adobe brick structure I made within El Paseo Community Garden in 2021. This sculpture doesn't exist anymore but this image shows it in its youth.
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Entrée, Ghent, Belgium, 2026
AIR 2015
Inkjet print on paper
8 × 10 Inches
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
Archives, IV, 2022
AIR 2014
Inkjet print on paper
8 × 10 Inches
From my series, "High Visibility (Blaze Orange)
This print is available only from September 17th - December 7th, 2026. After this date, this image will not be made available in this format again.
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